The term "astral," so frequently employed by all occultists, is difficult to explain or define except to those who have pursued a regular course of study in occult science. For the purpose of the present consideration, it is enough to say that over and above the ordinary physical sense plane there is another and more subtle plane, known as the Astral Plane. Every human being possesses the innate and inherent faculty of sensing the things of this astral plane, by means of an extension or enlargement of the powers of the ordinary senses, so to speak. But, in the majority of persons in the present stage of development, these astral senses are lying dormant, and only here and there do we find individuals who are able to sense on the astral plane, although in the course of evolution the entire race will be able to do so, of course. The colors of the human aura, mentioned in the preceding two chapters, and which arise from the various mental and emotional states, belong to the phenomena of the astral plane, and hence bear the name of "the[24] astral colors."
Belonging to the astral plane, and not to the ordinary physical plane, they are perceived only by the senses functioning on the astral plane, and are invisible to the ordinary physical plane sight. But, to those who have developed the astral sight, or clairvoyance, these colors are as real as are the ordinary colors to the average person, and their phenomena have been as carefully recorded by occult science as have the physical plane colors by physical science. The fact that to the ordinary physical senses they are invisible, does not render them any the less real. Remember, in this connection, that to the blind man our physical colors do not exist. And, for that matter, the ordinary colors do not exist to "color blind" persons. The ordinary physical plane person is simply "color blind" to the astral colors—that's all.
On the astral plane each shade of mental or emotional state has its corresponding astral color, the latter manifesting when the form appears. It follows then, of course, that when once the occultist has the key to this color correspondence, and thus is able to perceive the astral colors by means of his astral vision, he also is able to read the mental and emotional states of any person within the range[25] of his vision, as easily as you are now reading the printed words of this book.
I have stated therein that the prana-aura is colorless like a diamond or clear water. This is true in the average case, but in the case of a person of very strong physical vitality or virility, the prana-aura takes on, at times, a faint warm pink tinge, which is really a reflection from the red astral color, of the meaning of which color you shall now learn.
Like their physical plane counterparts, all the astral colors are formed from three Primary Colors, namely (1) Red; (2) Blue; and (3) Yellow. From these three primary colors, all other colors are formed. Following the Primary Colors, we find what are known as the Secondary Colors, namely: (1) Green, derived from a combination of Yellow and Blue; (2) Orange, formed from a combination of Yellow and Red; and (3) Purple, formed from a combination of Red and Blue. Further combinations produce the other colors, as for instance, Green and Purple form Olive;[26] Orange and Purple form Russet; Green and Orange form Citrine.
Black is called an absence of color, while White is really a harmonious blending of all colors, strange as this may appear to one who has not studied the subject. The blending of the Primary Colors in varied proportions produce what is known as the "hues" of color. Adding white to the hues, we obtain "tints;" while mixing Black produces "shades." Strictly speaking Black and White are known as "neutral" colors.
Belonging to the astral plane, and not to the ordinary physical plane, they are perceived only by the senses functioning on the astral plane, and are invisible to the ordinary physical plane sight. But, to those who have developed the astral sight, or clairvoyance, these colors are as real as are the ordinary colors to the average person, and their phenomena have been as carefully recorded by occult science as have the physical plane colors by physical science. The fact that to the ordinary physical senses they are invisible, does not render them any the less real. Remember, in this connection, that to the blind man our physical colors do not exist. And, for that matter, the ordinary colors do not exist to "color blind" persons. The ordinary physical plane person is simply "color blind" to the astral colors—that's all.
On the astral plane each shade of mental or emotional state has its corresponding astral color, the latter manifesting when the form appears. It follows then, of course, that when once the occultist has the key to this color correspondence, and thus is able to perceive the astral colors by means of his astral vision, he also is able to read the mental and emotional states of any person within the range[25] of his vision, as easily as you are now reading the printed words of this book.
I have stated therein that the prana-aura is colorless like a diamond or clear water. This is true in the average case, but in the case of a person of very strong physical vitality or virility, the prana-aura takes on, at times, a faint warm pink tinge, which is really a reflection from the red astral color, of the meaning of which color you shall now learn.
Like their physical plane counterparts, all the astral colors are formed from three Primary Colors, namely (1) Red; (2) Blue; and (3) Yellow. From these three primary colors, all other colors are formed. Following the Primary Colors, we find what are known as the Secondary Colors, namely: (1) Green, derived from a combination of Yellow and Blue; (2) Orange, formed from a combination of Yellow and Red; and (3) Purple, formed from a combination of Red and Blue. Further combinations produce the other colors, as for instance, Green and Purple form Olive;[26] Orange and Purple form Russet; Green and Orange form Citrine.
Black is called an absence of color, while White is really a harmonious blending of all colors, strange as this may appear to one who has not studied the subject. The blending of the Primary Colors in varied proportions produce what is known as the "hues" of color. Adding white to the hues, we obtain "tints;" while mixing Black produces "shades." Strictly speaking Black and White are known as "neutral" colors.
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